Songs like Stirdur Saknur and Gullspunnin are pointing very much both ways.”įor Eivør, music and landscape are forever intertwined. “I wanted to connect with my folky side, but also go all the way with the electronic side of things. “I wanted to do it differently this time,” she says. Partly guided by her producer/composer husband Tróndur Bogason, Eivør has never sounded so expansive. It’s a rich and thoughtful abstraction of billowy prog folk and moody electronica, mostly shaped by strings, piano and synths, kicked along by programmed beats and trip hop rhythms. This newfound freedom is reflected in Segl’s music. ![]() All of these things really affected the sound of the album and the topics of the songs, which became so much about change. I threw myself into doing a lot more collaborations with different people around the world as well. I changed my management three times over the last four years and I’ve also been very busy writing music for TV shows and video games. “There were so many things that got in the way and I had to stop many times,” she recalls. Eivør started working on the album four years ago, but was forced to navigate various obstacles that threatened to halt her progress.
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